Leon Botstein: Reviving Lost Operatic Masterpieces at Bard College

Leon Botstein is a name synonymous with the revitalization of forgotten operatic works. As president of Bard College and music director of the American Symphony Orchestra, Botstein has taken on the formidable task of bringing underappreciated compositions back to the stage. His latest endeavor, a production of Giacomo Meyerbeer’s “Le Prophète” at Bard’s SummerScape festival, is a testament to this mission.

Meyerbeer’s “Le Prophète” had not seen a major U.S. production since the 1970s, a gap Botstein was determined to close. By staging this grand opera, Botstein underscores his commitment to challenging the conventional opera repertoire and offering audiences a glimpse into the richness of Meyerbeer’s music. His efforts highlight the cultural significance of these neglected works, reminding both seasoned opera enthusiasts and newcomers alike of the vast potential in the operatic canon.

Botstein’s approach is not just about musical revival; it’s about academic rigor and artistic integrity. Working closely with musicologist Mark Everist, Botstein restored parts of “Le Prophète” that had been previously omitted, including its original overture. These scholarly efforts ensure that audiences experience the opera as Meyerbeer intended.

The production’s casting choices further illustrate Botstein’s knack for identifying and nurturing talent. With performers like tenor Robert Watson and mezzo-soprano Jennifer Feinstein, the cast brings fresh energy to this historic piece. Botstein’s track record of showcasing rising stars has already borne fruit, with previous SummerScape alumni advancing to impressive careers.

Through initiatives like SummerScape, Leon Botstein continues to push the boundaries of traditional opera programming. His dedication to resurrecting lost masterpieces not only enriches the cultural landscape but also invites audiences to explore the depths of musical history. As Bard College’s performing arts program flourishes under his leadership, Botstein’s influence on the world of opera remains profound and enduring.

Leon Botstein is a name synonymous with the revitalization of forgotten operatic works. As president of Bard College and music director of the American Symphony Orchestra, Botstein has taken on the formidable task of bringing underappreciated compositions back to the stage. His latest endeavor, a production of Giacomo Meyerbeer’s “Le Prophète” at Bard’s SummerScape festival,…